Tiny Dynamite

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When memory takes hold, chaos takes over and when the electricity between us becomes overwhelming. An impossible love story is given a second chance and three scorched characters are about to learn that lightning does strike twice.

 

✭✭✭✭ “Stylish revival of a fragile love story” Abigail Bryant, The Peg
✭✭✭✭ “brilliantly executed with fine performances and artistic flair.” Joanna Hetherington, The Spy in the Stalls
✭✭✭✭ “beautifully acted by a stellar cast” Amy Stow, London Theatre 1
✭✭✭✭ “Tiny Dynamite will touch your heart and soul. Grab a ticket while you can.” Claire Roderick, Fairy Powered Productions
✭✭✭✭ “Nothing’s ever perfect, although this play got pretty close.” “storytelling of the very highest order; intricate, intelligent and perceptive, it continually changed gear and always kept the viewer on their toes.“ Brian Penn, Everything Theatre
✭✭✭✭ “every element is slick” Veronica Stein, Reviews Gate
✭✭✭✭ “Morgan’s language is poetic, and lovingly breathed by the actors … Well worth the trip for a thought-provoking evening of theatre.” Joshua Metter, Theatre Box
✭✭✭✭ “David Loumgair’s direction invokes paranoia and instability, but knows how to utilize a still moment to let the humanity shine through.” Laura Foulger, The Upcoming
“superlative revival” (unrated) Alex Sierz
“It’s these moments of excellence that are very rare to find in British theatre today and Tiny Dynamite certainly delivers.” (unrated) Anon., The Play’s the Thing UK

 

A photograph of Tanya Fear standing in front of a chair. She looks down to her left. Above her hangs an exposed bulb in a cage-style lampshade. There is haze and warm-toned light from stage lights above her but she is mostly in shadow.
A photograph of Eva-Jane Willis holding a newspaper at her waist. She looks out, frowning slightly. Above her hangs an exposed bulb in a cage-style lampshade. There is haze and a blue-toned light from a stage light.
A photograph of a wooden platform on which stand two chairs, each with a bag next to them. Eva-Jane Willis stands at the back. Stage lights and exposed bulbs hand above, some behind a cloud of haze.
A photograph of Eva-Jane Willis and Niall Bishop sitting next to each other on wooden chairs. Eva-Jane in the foreground looks down at a newspaper. Niall looks at her, holding a coffee cup and cardboard cup holder.
A photograph of Niall Bishop sitting on a chair in the middle of a wooden platform, his hand a claw at his chest. Eva-Jane Willis stands to the left of frame looking down at Niall. He looks back at her. They are both barefoot. In the background and to the right of frame, Tanya Fear sits on a chair beside the corner of the platform. Warm stage lights and exposed bulbs shine down alongside one stage light which casts a green light from from above Tanya towards Niall.
A photograph of Niall Bishop leaning over his left shoulder and holding out a cupped hand. Behind him Eva-Jane Willis stands wearing a pale outfit. Above the are exposed bulbs, cage-like lamp shades and stage lights. There is a warm hazy area of light over most of the image but Niall's face in the foreground is covered in shadows.
A photograph of Tanya Fear, Niall Bishop and Eva-Jane Willis stand in the centre of a wooden platform with bare feet. They look as though they are about to walk into each other. Behind them are two chairs and above them exposed bulbs and stage lights surrounded by haze.
A photograph of a white man with short hair, Niall Bishop, standing with bent legs and a wide stance holding a wine glass in one hand and pointing with the other. Further back Eva-Jane Willis, a white woman with red hair wearing a pale outfit sits on a wooden ledge cupping a wine glass and looking up at Niall. To her left sits Tanya Fear, whi is resting her head on her fist. Both women are engaged with what Niall is saying.
A photograph of a white man with short hair, Niall Bishop, standing on a chair holding a wine glass and with the other hand over his chest. His knees are bent. Below him, Eva-Jane Willis, a white woman with red hair wearing a pale outfit sits on a wooden ledge cupping a wine glass and looking up at Niall. To her left sits Tanya Fear, more in the shadows. Stage lights with a warm tint and exposed light bulbs shine down bathing Niall in light.
A photograph of Tanya Fear, Niall Bishop and Eva-Jane Willis sitting on a wooden floor, lit from above by exposed light bulbs and bright stage lights. Eva-Jane Willis has her eyes scrunched tight closed.
A photograph of Tanya Fear, a brown woman with curly black hair holding Eva-Jane Willis, a white woman with red hair. They are sitting on the ground and Tanya's face is pressed into the side of Eva-Jane's. The hand and leg of a man are visible but out of focus left of frame.
A photograph of Tanya Fear, a brown woman with curly black hair wearing a check shirt tied at the stomach, offering a bouquet of flowers to Eva-Jane Willis, a white woman with red hair in a plait.
A photograph of two women under stage lights with a moonlight effect. On the left of the image is the actress Eva-Jane Willis, a white woman with red hair wearing a coat and holding an upside-down book. On the right is actress Tanya Fear, a brown woman with curly black hair wearing a check shirt. They sit next to each other on the ground with their bodies facing outwards but they are looking inward at each other.